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Home
PRIVACY and COOKIE POLICY: INFORMATIVA
IMAGE&POETRY
Poetry
Art
About us-The Manifesto
Members
Honorary Members and Representatives of the Movement (A-L)
Photos of the Representatives (M-Z)
Representatives of the Movement (M-Z)
Gavin Adam Wood and the Official Song
Songs / Soundtracks for Immagine & Poesia
Critical essays
Acknowledgement
54th Biennale di Venezia
Photo Gallery (Italy)
Wish Tree
In the U.S.A.
World Poetry Canada
In the U.K.: International Poetry Festival - Swansea -
In France: Beausoleil Cyberespace
Represented in Dalian (China)
Translations of the Manifesto
In the UK: Dylan Thomas Centre
Projects with Schools
European Heritage Days
E Books
E Book 2014
E Book 2015
E Book 2016
E Book 2017
E Book 2018
E Book 2019
E Book 2020
E Book 2022
E BOOKS I&P Edition (collaboration avec ÉDITIONS EN MARGE)
E Books - Small Format
Articles - Interviews about Immagine & Poesia
Publications
Awards
Critical Reviews - Editorial Reviews - Comments
Libraries: book acquisition
Acknowledgments from Libraries
Competitions
International Exhibitions
Guests at International and National Events
Museo della Carale, Ivrea
2011: 150 Italia-Exhibition
2013 Exhibition for "Temporary Tenants" (L. Ferlinghetti)
2013 Exhibition for "In the Blue" (A. Falk)
2014 Exhibition: "Took the seashore road" by Lawrence Ferlinghetti
Tribute to Lawrence Ferlinghetti 2014 - Exhibition in Torino
2015 Exhibition: Chagall's Magic Lantern by L. Ferlinghetti
2016 Exhibition: The Sea is Calm Tonight
2017 Exhibition: FROM THE GREENPEACE DREAMBOOK
2018 Exhibition: 3 poems by L. Ferlinghetti
2019 Ferlinghetti 100
2020 Ferlinghetti 101
Development in the U.S.A.
California Tour
Promotrice delle Belle Arti
Partnerships
Dylan Thomas Centenary Celebration
#DylanDay
World Peace Day
Agliè: exhibitions related to "Premio Letterario IL MELETO DI GUIDO GOZZANO"
Participation in charities
Naji Naaman Literary Prize
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25. febbraio 2016
"The Cut Cord of Love" artwork by Adel Gorgy, USA. "Mathew" poem by Peter Thabit Jones, UK
_______________________________________________________ Credit: Cross-Cultural Communications Art & Poetry Series Broadsides # 77
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